An up-and-coming multimedia Chinese animation artist with his hands on graphic design, illustration, short cartoon, graffiti and music also, In 2009 He got a master's degree from Tsinghua University. In 2010, his film was shown at Ottawa International Animation Festival and awarded The 2010 Best Narrative Short. In 2013 his film was selected by Annecy festival and was the Winner Grand Prix shorts - non-narrative at Holland International Animation Film Festival. In 2014 he is the Jury of Zagreb / Holland International Animation Film Festival. and he was the winner of 2014 asian cultural council grant.
Imagination is our window into the future. At NASA/JPL we strive to be bold in advancing the edge of possibility so that someday, with the help of new generations of innovators and explorers, these visions of the future can become a reality. As you look through these images of imaginative travel destinations, remember that you can be an architect of the future. Click on the thumbnails below to learn more and download a free poster sized image.
The Codex Gigas (English: Giant Book) is the largest extant medieval manuscript in the world. It is also known as the Devil's Bible because of a large illustration of the devil on the inside and the legend surrounding its creation. It is thought to have been created in the early 12th century in the Benedictine monastery of Podlažice in Bohemia (modern Czech Republic). It contains the Vulgate Bible as well as many historical documents all written in Latin.
I approach art making in the manner of a Victorian naturalist by attempting to name the unnamed and gain an understanding of the world through documenting and cataloging. My work explores a range of topics including systems of thought associated with archives and other collections, natural history artifacts and the rituals of organization. My works are artificially constructed archives; they are documentary objects created in the context of becoming the very thing they document. My approach to language as a tool to navigate the spaces between experience, perception and memory focuses on creating important connective tissue. Language externalizes the interior life. It also harvests and distills the external world, drawing it inward. In my work, cataloging and taxonomy manifest themselves as textual ritual used to aid the viewer in better situating her/his self in the world. I am fascinated with lists, categories and collections and my work attempts to bring order to those things that are least easily ordered.