Joshua Smith is a miniaturist and former stencil artist based in Norwood, South Australia. With a career spanning 17 years, he has showcased his work in London, Paris, Berlin, New York, Japan and all over Australia in over 100 exhibitions.
Materials that are commonly defined as natural and artificial are combined in the creation of these works, isolating aspects that are indicative of the ‘natural’ (while sometimes are considered unnatural). The landscapes created are transformative in their illusion of a nature scene; they are contained in traveling cases to magnify the displacement of a seemingly natural landscape in an unusual framework. These pieces extenuate the desire for ‘untouched’ natural environments, and the claim and proprietorship that are placed on plots of land, which carries over to water rights.
Blue Rhino Studio specializes in interpretive design and artistic fabrication for museum, visitor center, and zoological environments.
Wyld's Great Globe (also known as Wyld's Globe or Wyld's Monster Globe) was an attraction situated in London's Leicester Square between 1851 and 1862, constructed by James Wyld (1812–1887), a distinguished mapmaker and former Member of Parliament for Bodmin. At the centre of a purpose-built hall was a giant globe, 60 feet 4 inches (18.39 m) in diameter. The globe was hollow and contained a staircase and elevated platforms which members of the public could climb in order to view the surface of the earth on its interior surface, which was modelled in plaster of Paris, complete with mountain ranges and rivers all to scale. Punch described the attraction as "a geographical globule which the mind can take in at one swallow." In the surrounding galleries were displays of Wyld's maps, globes and surveying equipment.