Stained glass technique where colored lass is joined using cement or resin.
Kimberly Witham
Still life photographer
Layqa Nuna Yawar
Layqa Nuna Yawar is a migrant artist, muralist and educator born in Ecuador and based out of Newark, USA. His large scale murals, paintings and projects question injustice, racism and xenophobia, while celebrating cross-cultural identity and migration in order to amplify the silenced narratives of people of color around the Americas and the world.
Dino Valls
Paolo Del Toro
Large scale felt sculpture.
Jan Hendrix
Drawings of landscapes and botanical subjects presented in a variety of media.
Garry Fabian Miller
Garry Fabian Miller (English, born in Bristol in 1957) is an internationally recognised photographic artist, specialising in ‘camera-less’ photographs since the mid-1980s.
Michael Folmen
Michael Flomen (born 1952) is a self-taught Canadian artist who primarily creates photograms, or cameraless photographs in collaboration with nature... Snow, water, firefly light, wind, sand, sediment, shorelines and other natural phenomena make up the elements used to create his photograms.
Justin Guarigila
Photographer who combines large scale, minimalist, landscape photography, with unique acrylic resin printing processes.
Hiroshi Sugimoto
A contemporary Japanese photographer and artist.
close listening: decoding nature through sound
Biologists seeking to understand how animals communicate have created a culture of listening
Cornell Lab of Ornithology’s Macaulay Library
Cornell Lab of Ornithology’s Macaulay Library, the largest archive of wildlife sounds, from rare bird calls to hundreds of elephants in the night.
Calling Thunder – The Unsung History of Manhatten
Immersive soundscapes compare today's urban cacophony to the island Henry Hudson encountered in 1609. History unearths wonder in the green heart of New York.
How Gallaudet University’s Architects Are Redefining Deaf Space
Michelle Holzapfel
Michelle Holzapfel (b. 1951) is a self-taught woodturner and carver. She creates vases, bowls, boxes, and still life sculpture from local hardwoods like burls, unmanageable crotches, gnarled branches, center rotten trunks that are left behind in the forest after logging operations have ceased.
Julia Margaret Cameron
Julia Margaret Cameron was a British photographer. She became known for her portraits of celebrities of the time, and for photographs with Arthurian and other legendary or heroic themes. Cameron's photographic career was short, spanning eleven years of her life (1864–1875). She took up photography at the relatively late age of 48, when she was given a camera as a present.[2] Her style was not widely appreciated in her own day: her choice to use a soft focus and to treat photography as an art as well as a science, by manipulating the wet collodion process, caused her works to be viewed as "slovenly", "mistakes" and bad photography.
Boris Mikhailov
Borys Andriyovych Mykhailov (Бори́с Андрі́йович Миха́йлов, born August 25, 1938) is a photographer who has been described as "one of the most important artists to have emerged from the former USSR.
Guillermo Wagner Granizo
Guillermo Wagner Granizo was born in San Francisco in 1923. His mother was from Nicaragua and for 11 years, he lived in Mexico, Guatemala and Nicaragua as a boy where he began to appreciate ceramics and the freedom of expression of non-traditional art. Following World War II he graduated from the San Francisco Art Institute where he received training in the formal rules of color and design. Granizo devoted all of his energies to the rendering of ceramic tile murals and mosaics with special attention to the creatives uses of color glazes.
Joshua Smith
Joshua Smith is a miniaturist and former stencil artist based in Norwood, South Australia. With a career spanning 17 years, he has showcased his work in London, Paris, Berlin, New York, Japan and all over Australia in over 100 exhibitions.
Kathleen Vance
Materials that are commonly defined as natural and artificial are combined in the creation of these works, isolating aspects that are indicative of the ‘natural’ (while sometimes are considered unnatural). The landscapes created are transformative in their illusion of a nature scene; they are contained in traveling cases to magnify the displacement of a seemingly natural landscape in an unusual framework. These pieces extenuate the desire for ‘untouched’ natural environments, and the claim and proprietorship that are placed on plots of land, which carries over to water rights.
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