Filmed at the Interrogative Design Group offices at MIT in Cambridge, Massachusetts, designer Adam Whiton discusses his work with artist Krzysztof Wodiczko. By developing innovative technology for projects such as The Tijuana Projection (2001), Dis-Armor (1999-2000), and AEgis (2000), Wodiczko and Whiton explore the potential for design to be used in a way that will “get people to think more…trigger questions and make people uncomfortable.”
By appropriating public buildings and monuments as backdrops for projections, Krzysztof Wodiczko focuses attention on ways in which architecture and monuments reflect collective memory and history. Projecting images of community members’ hands, faces, or entire bodies onto architectural façades, and combining those images with voiced testimonies, Wodiczko disrupts our traditional understanding of the functions of public space and architecture. He challenges the silent, stark monumentality of buildings, activating them in an examination of notions of human rights, democracy, and truths about the violence, alienation, and inhumanity that underlie countless aspects of social interaction in present-day society.