Applying strategies of mass production to hand-made objects, Allan McCollum’s labor-intensive practice questions the intrinsic value of the unique work of art. McCollum’s installations—fields of vast numbers of small-scale works, systematically arranged—are the product of many tiny gestures, built up over time. Viewing his work often produces a sublime effect as one slowly realizes that the dizzying array of thousands of identical-looking shapes is, in fact, comprised of subtly different, distinct things. Engaging assistants, scientists, and local craftspeople in his >process, McCollum embraces a collaborative and democratic form of creativity.
Krzysztof Wodiczko creates large-scale slide and video projections of politically-charged images on architectural façades and monuments worldwide. By appropriating public buildings and monuments as backdrops for projections, Wodiczko focuses attention on ways in which >architecture and monuments reflect collective memory and history.