The work of Stockholm based artist Anders Krisár often deals with the human body. It is discomfiting, presenting objects of simultaneous horror and beauty. Krisár takes realistic casts of human body parts, torso, arms or faces to modify hem in ways that lend them a surreal quality. His aim is to explore interpersonal relationships and examine the complexities of the human condition.
The skeleton as a basis for reconstruction. In this project, Self-portrait 21, the 3D copy of the skull represents the true image (vera icon). This image has formed the basis for a facial reconstruction by a forensic anthropologist, who received the skull anonymously accompanied only by the information that it belonged to a man in his mid-40s born in Western Europe. This facial reconstruction is based on the available scientific documentation of tissue structure, skin thickness and muscle groups. The clay reconstruction has been cast in bronze to be presented as Self-portrait 21, a self-portrait that has not been made by the artist.