As I often work with field recordings of sites, I have been thinking a lot about how to merge the sound into a new “site”. I started to work with sound because of its spatial qualities. I realized that sound makes it possible to perceive many places simultaneously, and even better combine outside and inside objects and spaces at the same time. The rearranging or composing of the recorded sounds are in a way an embodiment of multi-temporalities.
– Signe Lidén